December 6, 2011, was a national day of action targeting homes facing foreclosure, organized by a coalition of community groups behind the movement Occupy Our Homes. Protests were held across the country, in cities such as New York, Chicago, Philadelphia, Atlanta, San Francisco, Minneapolis, Portland, OR, and more.
Actions included “reclaiming” houses that banks are leaving vacant, and “home defense” to stop banks from foreclosing and accept payments from the homeowners, which banks like Chase and Wells Fargo are refusing to do in some cases.
Some of the groups involved in the community resistance effort include ACCE (Alliance of Californians for Community Empowerment), The New Bottom Line, ReFund California, New York Communities for Change, Occupy Wall Street, Take Back the Land, SOUL (Chicago), SEIU, and The Coffee Party. [Read more]
When you’re Thierry Guetta, your biggest challenge may be how to top yourself. After an extravagant debut art show that drew thousands in 2008, and starring in the Oscar-nominated documentary Exit Through the Gift Shop, there may be little else but to live the life of an artist whose work is in demand. But it might be Thierry’s trademark enthusiasm to take on much more than he probably should that inspires him to do anything.
And in the center of Los Angeles, just off Santa Monica and La Brea, he found an urban adversary worthy of his determination: an abandoned industrial complex, over 80,000 square feet. What first seemed like a Russian temple waiting to be christened became a never-ending barrage of repairs, inspectors and maintenance, while he was hoping to use it as an art studio rather than an urban renewal project. “I almost gave up,” he says wearily. “It was too much.”
But perseverance paid off, and the long announced Art Show 2011 will in fact be opening in 2011. This marks an art opening not just for Mr. Brainwash, but for the scores of street artists that were welcomed to decorate 20,000 square feet on the first floor of the Brainwash building. Over several days in October, Thierry threw open the doors to the public to decorate his walls with street art. The open house that ensued was dubbed a “Woodstock of Street Art” by venerable street art blog Melrose & Fairfax. Local street artists could work without fear of arrest, and also get to watch other artists work that they might not get to meet otherwise. Many older artists showed up and contributed pieces of art they had made, which they would not dare risk putting up on streets. This cavern of creative contributions is the setting for only part of Mr. Brainwash’s show. [Read more]
Morley is the antithesis of street artists in Los Angeles. Where traditional taggers obscure their name in scrawled script only readable to their own, Morley prints big messages with his large bold lettering. Where most find it cool to be cryptic, Morley shares his wit in complete sentences. Where many street artists prefer anonymity or an empowered alter-ego, Morley includes a plain drawing of his unglamorous self writing each ironic aphorism. His humor veers from self-deprecating to sly, his insight ranges from soul searching to silly.
Morley is so un-street art, he walks around in broad daylight plastering his posters up in the busiest intersections. It was a privilege to document the artist at work, if only to be able to capture the meta moments of the artist putting up art of himself putting up his art.
In this short documentary, Morley explains how he uses hope and humor in efforts to lift the unsuspecting viewer.
Much of today’s street art is reflective of Andy Warhol’s signature style of celebrity iconography, stenciled composites, and above all, repetition of imagery. It is no wonder Warhol’s ideas, Sixties images, and commercial success have inspired young artists to take to the streets. So it is both intuitively astute and perfectly logical to see Andy Warhol’s stenciled visage appear across Los Angeles over the past year signed simply “Thank You, X.”
Thank You X intended his moniker to simply be “X,” the penultimate pseudonym of an anonymous artist. But as curious fans might not be able to Google “X” at their workplace without fear of reprisal, “Thank You X” has stuck as his nom de guerre. The image of Warhol used in X’s pieces is from a lesser-known photo taken by an assistant of Warhol’s to build his portfolio. The casual, unguarded spontaneity in this head shot of Warhol looking away suggests a genuine appreciation of a subject whose mind is often elsewhere. 
[Read more]
The Census Bureau, which has expanded its definition of poverty, has calculated that 15.7% of Americans, many of them elderly, are poor and struggling because of rising medical costs and other expenses.
In 2009, the bureau reported, there were 47.8 million people living in poverty. [Read more]